Control room design
Symmetrical layout, monitor placement, and treatment that gives you a mix position you can trust and translate from.
- Speaker and listening geometry
- First-reflection and rear-wall treatment
- Bass management for small rooms
A studio is judged on what you hear at the mix position and how fast you can patch an idea before it disappears. Both come down to design and cabling done carefully.
Same approach at every scale: fix the acoustics, place the monitors properly, wire it so it stays out of your way.
Symmetrical layout, monitor placement, and treatment that gives you a mix position you can trust and translate from.
Decoupled construction, isolated doors, and treated booths for tracking vocals and instruments without bleed.
Monitors aligned, levels matched, and the room measured so what you hear is the recording, not the walls.
Smaller builds for content production, where the room has to look right on camera and sound right on the feed.
Wiring is the part of a studio you fight with daily if it was done carelessly, and never think about again if it was done right. We pull, terminate, and document it as a discipline of its own — on studio builds, cinema installs, and as standalone work in rooms someone else built.
Rooms that were built without a plan are a large part of what we do. Send measurements and photos and we will tell you what is fixable and what has to be rebuilt.